loyal readers
Thanks
against my better judgment

Its 8am and your standing on the platform with a thousand other working stiffs waiting for the 4,5 uptown. train pulls up and its completely and absolutely packed. the people around you hesitate, they take a step back. they have chosen to surrender, they are going to wait for the next train. not you. not only are you bold and fearless, but you know the next train will be even more packed.
only the weak wait for the next train. suck in your gut and push your way onto that train. even if you dont have a gut, suck it in--it is going to be tight.
until the first stop you will have poor positioning. strategically, the worst position on the train is the circular area far enough away from the pole to reach it but close enough to the pole that you are not adjacent to anything else. being in the center of the door directly against it is also a weak position, but it is somewhat more tenable.
once you hit the first stop, get ready to move. just like they taught us about boxing-out to rebound in city-league basketball, these next few moments require nothing more than tactical foresight and a stiff upper lip. your goal is to work your way into the one of the corners where the door meets a bench. forget about sitting down, what you would gain in momentary comfort you would lose in exit mobility.
you should be fine now until you get to your destination. congratulations. turn up your ipod loud enough so that others can enjoy it too.
you will be exiting the train at a busy stop. it will be like the floodgates opened and a rush of people has been unleashed onto the platform. do not fight the flow, let it carry you. more importantly, do not cross your streams (you saw what happened in ghostbusters).
one more important bottleneck: the turnstyles. this is where it can get ugly.
real life case in point: this morning at the chambers street station. I am rolling hard with the rest of the recently detrained passengers through the turnstyles when some jackass tries to swipe through coming the other way--on my turnstyle, nonetheless.
not only did he swipe through, but when he saw the pinstripe freight-train coming through he backed down. worst decision he made all morning. not only did he get pimped by yours truly, but he lost his swipe. his only recourse was to run after me and throw up a middle finger in my face, but the damage was done and my upper lip was stiff. he lost, I won. all thanks to urban maneuvering.
this may sound harsh and unforgiving to those who have not experienced it, but I assure you that these are simply the facts of life. kill or be killed.
you too can emerge victorious from your everday encounters by following this course of study.
to be continued... next lesson: bar tactics
so if every single person in manhattan or new york or the world wants to do something, why don't we all just do it with each other. I am talking about guts-spilling, not hand-shaking. in fact, lets stop the analogy to physical contact now, because it is starting to get a little distracting. feel free to take a break and be distracted on your own for a few minutes if you like. dont be too distracted though, I need you as my captive audience.
On rare occasions, we probably all experience this type of situation, where true thoughts and maybe even feelings are fully exchanged. this type of real conversation should not be mistaken for the usual day to day bs such as the following:
guy: how are you?
girl: Im ok, I am having a bad day.
guy: do you need a (friend to talk to)/(drink)/(backrub)?
girl: no, thats ok, I need to get going. maybe another time. (thinks: creep)
or even the following:
girl 1: me and tommy got in a fight last night.
girl 2: tommy is such an ass! you deserve better!
girl 1: yeah, you're right, I do.
girl 2: can we go out tonight? I need to relax. (thinks: I need to get drunk)
I am getting off track here, but you get the idea.
Everyone once in a while, a rare opportunity comes along where you actually get to tell somebody what you really think. or maybe they tell you. ideally both.
I think that this is a little bit too scary of a proposition for most people. it involves not only acknowledging to yourself who you really are, but letting someone else in on this secret too. Its generally much safer and easier to talk about the last episode of family guy or how your job sucks. these seem to be two of people's favorite things to talk about.
this baring-of-innermost-feelings becomes especially complicated when the other persons feelings become tangled up in your feeling (ie you are in a serious relationship). in this situation, it seems there is a paradox in that the people you are closest to are sometimes the hardest to tell everything to. these things are usually easier with people you know but dont really know.
I hope that there are a few nodding heads in the audience here, otherwise I am starting to feel like an idiot.
so, in my experience, it seems like these kinds of special exchanges often come up at random times with people you dont really expect them to. especially when there is alcohol involved. but thats ok, a couple/few/dozen drinks probably never killed anyone.
when these conversation do occur, they are some of the most redeeming and fulfilling moments of human interaction. I think.
am I crazy?
yeah, you're probably right.

today I was on a full subway car, riding downtown from 110st central park north. the 2/3 runs local on weekends right now, so it about doubles the length of the ride. but thats not the point.
I was sitting on the corner chair where there is only two seats, and the girl sitting next to me was reading one of those trashy black romance novels that black women seem to love in nyc. this one was called 'double dose'. I can only imagine what the title was refering to.
at one of the stops, a single asian mother got on the train with her little boy, who looked like he was about 2 years old. just old enough to be able to walk on his own without falling every three seconds.
it just about killed me because the mom and her little guy where standing next to where I was sitting and they both held on to the metal bar coming up from the corner of my seat. the thing that killed me was that the little guy's hand was so small that he could barely get it around the pole.
I have this weird fascination with hands, and little kids hands are the most interesting to me. its seems impossible to me that hands could be so small and still have all of the fingers work and stuff.
so this little kid was standing on his own and holding onto the pole with one hand, and I was right at eye level with him. I got worried that he was going to get knocked down when the train started, because that happens to adults all the time, and their hands can actually fit all around the pole. I got ready to keep him from falling if he lost his balance, and sure enough when the train started, he just about hit the deck--I even reached for him just in case.
he ended up being ok, and I didnt touch him or anything, because he got his balance on his own. his mom seemed pretty cool. then I just sat there looking and me and the little dude had some good eye contact. it was really killing me, you gotta love that stuff.
finally, I realized I should have offered them my seat right away so I go up and let them sit down. the mom tried to get him to say thank you, but that was probably a little advanced for him.
then they read a book about counting pumpkins.
warning: the following is about a movie that you may not have seen. thats ok. you should still read it, I think. do what you want though.
you know how sometimes you finish a movie and you are left strangely unfullfilled. like it just didnt fill you with anything. you probably laughed about twice, but it was the forced kind of laugh where you feel like kind of an idiot afterwards. there was no excitement or sexy naked beautiful people or secret endings or 'where they are nows' during the credits. yeah, we all know those movies.
part of me hates these movies and part of me feels strangely validated for having the attention span to endure 2 hours of seemingly nothing redeeming. maybe you know what I mean, but its ok if you dont.
Lost in Translation seems to be a case in point of this type of movie. one paragraph synopsis follows:
bill murray is an old american movie star stuck in hong kong shooting a ridiculous liquor commercial. like for something along the lines of Glenlivet, some kind of liquor that is for the superclassy james bond types (more roger moore than sean connery though).
scarlet johannsen is a young woman traveling in hong kong with her photographer boyfriend who works about 23 hours a day. she is some kind of ivy league liberal arts graduate who is very sophisticated but she knows she is sophisticated and it is slightly annoying. she is uniquely attractive (see exhibit a).
exhibit a
he is away from his wife/family and his real work. she is away from her 23-hour-working boyfriend (except for 1 hour of sleeping) and she is a liberal arts grad, so she doesnt have a real job to begin with (oooooh rip). furthermore, they are both away from all of their normal activities and their culture and everything else that is familiar.
so to cut to the chase, these two people are stuck in hong kong (which is made to look like times square on fast forward) and they are basically stripped naked of everything that usually defines them. stripped naked, yes.
so it seems that they are without anything of the things that they usually define themselves by, and they are left with only themselves, all they have is who they are.
all they have is who they are.
that is a profound thought, now that I see it typed in words, you know. it seems like a pretty legitimately scary idea. I dare you to stop and think about that one for a second. yes, I know, thinking hurts, it hurts for me too.
take that a step further--who is anyone? ok, I will stop now.
ok so these two people are in hong kong and all they have is who they are. they dont fit together, they dont look good together (bill murray is all old and pock-marked and depressed looking), but they are both stuck in this same situation and a few traded glances over a deserted bar lead to a some random experiences in hong kong together.
bill murray wears an orange camo t-shirt turned inside out, which I really like.
so I think the idea is that these two people are forced to find out who they are underneath everything that they usually define themselves by. they are, in fact, found in translation.
boom, thats hardhitting artistic film analysis for you.
if that sounds anticlimactic, its because it is. there is no climax. except for when he chases her down and kisses her, but that is not really a climax, because there is nothing more than that, no allusion to any kind of future association or no profound statements or anything. just the acknowledgement of a shared existensial experience.
that makes me want to have a shared existensial experience. any takers?
enough. I am really killing myself here. go see the movie if you want to know more.
[PS- I just realized that I totally ruined the ending. you should still see it though.]